{"id":93,"date":"2013-02-17T22:00:00","date_gmt":"2013-02-17T22:00:00","guid":{"rendered":"https:\/\/byzantion.ro\/paraclisul-maicii-domnului-byzantion\/"},"modified":"2013-02-17T22:00:00","modified_gmt":"2013-02-17T22:00:00","slug":"paraclisul-maicii-domnului-byzantion","status":"publish","type":"post","link":"https:\/\/byzantion.ro\/paraclisul-maicii-domnului-byzantion\/","title":{"rendered":"Paraclisul Maicii Domnului – BYZANTION"},"content":{"rendered":"

\"byzantionCuprins \/ Contents \/ Sommaire<\/span><\/span><\/strong><\/span><\/p>\n

    \n
  1. \n

    Binecuv\u00e2ntarea \u0219i troparele \u00eencep\u0103toare, glas leghetos cromatic \/ <\/span>Blessing and initial Troparia, chromatic Legetos \/ B\u00e9n\u00e9diction et tropaires initiales, legetos chromatique<\/span><\/span><\/p>\n

    <\/p>\n

    <\/span><\/span><\/p>\n<\/li>\n

  2. \n

    C\u00e2ntarea I, plagal glas IV trifonic \/ Ode 1, Plagal of 4th<\/sup> mode triphonic <\/span>\/ Ode 1, plagal du 4e<\/sup> mode triphonique<\/span><\/span><\/p>\n<\/li>\n

  3. \n

    C\u00e2ntarea III, plagal glas IV trifonic \/ Ode 3, Plagal of 4th<\/sup> mode triphonic <\/span>\/ Ode 3, plagal du 4e<\/sup> mode triphonique<\/span><\/span><\/p>\n<\/li>\n

  4. \n

    Sedealna Ceea ce e\u0219ti rug\u0103toare os\u00e2rdnic\u0103<\/em>, glas leghetos cromatic \/ Kathisma, O, fervent Prayer<\/em>,<\/span> chromatic Legetos \/ Cathisme, Fervente avocate<\/em>, legetos chromatique<\/span><\/span><\/p>\n<\/li>\n

  5. \n

    C\u00e2ntarea IV, plagal glas IV trifonic \/ Ode 4, Plagal of 4th<\/sup> mode triphonic <\/span>\/ Ode 4, plagal du 4e<\/sup> mode triphonique<\/span><\/span><\/p>\n<\/li>\n

  6. \n

    C\u00e2ntarea V, plagal glas IV trifonic \/ Ode 5, Plagal of 4th<\/sup> mode triphonic <\/span>\/ Ode 5, plagal du 4e<\/sup> mode triphonique<\/span><\/span><\/p>\n<\/li>\n

  7. \n

    C\u00e2ntarea VI, plagal glas IV trifonic \/ Ode 6, Plagal of 4th<\/sup> mode triphonic <\/span>\/ Ode 6, plagal du 4e<\/sup> mode triphonique<\/span><\/span><\/p>\n<\/li>\n

  8. \n

    Condacul Ceea ce e\u0219ti p\u0103zitoare<\/em>, plagal glas II tetrafonic \/ Kondakion A protection of Christians unshamable<\/em>, Plagal of 2nd<\/sup> mode tetraphonic \/ Kondakion Protectrice intr\u00e9pide des chr\u00e9tiens<\/em>, plagal du 2e<\/sup> mode tetraphonique<\/span><\/p>\n<\/li>\n

  9. \n

    Prochimenul, glas leghetos cromatic \/ Prokeimenon, <\/span>chromatic Legetos \/ Prokeimenon, legetos chromatique<\/span><\/span><\/p>\n<\/li>\n

  10. \n

    Lecturarea ecfonetic\u0103 a Evangheliei \/ Ekphonetical reading of the Gospel \/ Lecture ekphon<\/span>\u00e9tique de l<\/span>\u2019Evangile<\/span><\/span><\/p>\n<\/li>\n

  11. \n

    Stihiri dup\u0103 Evanghelie, glas II \u0219i plagal glas II tetrafonic \/ Stichera after the Gospel, 2nd<\/sup> mode and Plagal of 2nd<\/sup> mode tetraphonic \/ Stich\u00e8res apr\u00e8s l\u2019Evangile, 2e<\/sup> mode et plagal du 2e<\/sup> mode tetraphonique<\/span><\/p>\n<\/li>\n

  12. \n

    C\u00e2ntarea VII, plagal glas IV \/ Ode 7, Plagal of 4th<\/sup> mode <\/span>\/ Ode 7, plagal du 4e<\/sup> mode<\/span><\/span><\/p>\n<\/li>\n

  13. \n

    C\u00e2ntarea VIII, plagal glas IV \/ Ode 8, Plagal of 4th<\/sup> mode <\/span>\/ Ode 8, plagal du 4e<\/sup> mode<\/span><\/span><\/p>\n<\/li>\n

  14. \n

    C\u00e2ntarea IX, plagal glas IV trifonic \/ Ode 9, Plagal of 4th<\/sup> mode triphonic <\/span>\/ Ode 9, plagal du 4e<\/sup> mode triphonique<\/span><\/span><\/p>\n<\/li>\n

  15. \n

    Catavasia O, preluminate nor<\/em>, plagal glas IV trifonic \/ Katabasia Oh, most lighted cloud<\/em>, Plagal of 4th<\/sup> mode triphonic \/ Katabasia Oh, le plus lumineux nuage<\/em>,<\/span> plagal du 4e<\/sup> mode triphonique<\/span><\/span><\/p>\n<\/li>\n

  16. \n

    Cuvine-se cu adev\u0103rat<\/span><\/em>, plagal glas IV trifonic \/ Truly it is worthy<\/em>, Plagal of 4th<\/sup> mode triphonic \/ Il est vraiment digne<\/em>, plagal du 4e<\/sup> mode triphonique<\/span><\/span><\/p>\n<\/li>\n

  17. \n

    Stihiri dup\u0103 C\u00e2ntarea IX, glas leghetos cromatic \/ Stichera after Ode 9, <\/span>chromatic Legetos \/ Stich\u00e8res apr\u00e8s Ode 9, legetos chromatique<\/span><\/span><\/p>\n<\/li>\n

  18. \n

    Slava Bucur\u0103-te, laud\u0103 a toat\u0103 lumea<\/em>, plagal glas IV \/ Megalynarion Rejoice, praise of all the world, <\/em>Plagal of 4th<\/sup> mode \/ M\u00e9galinaire R\u00e9jouis-Toi, laude de tout le monde, <\/em>plagal du 4e<\/sup> mode<\/span><\/p>\n<\/li>\n

  19. \n

    Troparele finale, plagal glas IV \/ Final troparia, Plagal of 4th<\/sup> mode \/ Derniers tropaires, plagal du 4e<\/sup> mode<\/span><\/p>\n<\/li>\n

  20. \n

    Troparele de umilin\u021b\u0103, glas II \/ Troparia of humility, 2nd<\/sup> mode \/ Tropaires d\u2019humilit\u00e9, 2e<\/sup> mode<\/span><\/p>\n<\/li>\n

  21. \n

    Ectenia \u00eentreit\u0103, plagal glas IV, de Anton Pann \/ Litany of Fervent Supplication, Plagal of 4th<\/sup> mode, by Anton Pann \/ Litanie de la fervente supplication, plagal du 4e<\/sup> mode, par Anton Pann<\/span><\/p>\n<\/li>\n

  22. \n

    St\u0103p\u00e2n\u0103 prime\u0219te rug\u0103ciunile<\/span><\/em>, glas II \/ Lady, do you receive, from your servants, their many prayers, <\/em>2nd<\/sup> mode \/ Souveraine, re\u00e7ois les pri\u00e8res de tes serviteurs<\/em>, 2e<\/sup> mode<\/span><\/span><\/p>\n<\/li>\n

  23. \n

    Apolis \/ Dismissal \/ Cong\u00e9<\/span><\/span>     <\/span><\/p>\n<\/li>\n<\/ol>\n

     CUMP\u0102R\u0102 ONLINE<\/span><\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

    Cuprins \/ Contents \/ Sommaire Binecuv\u00e2ntarea \u0219i troparele \u00eencep\u0103toare, glas leghetos cromatic \/ Blessing and initial Troparia, chromatic Legetos \/ B\u00e9n\u00e9diction et tropaires initiales, legetos chromatique<\/p>\n","protected":false},"author":3,"featured_media":538,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rank_math_lock_modified_date":false,"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[14],"tags":[],"class_list":["post-93","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-discografie"],"_links":{"self":[{"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/posts\/93"}],"collection":[{"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/comments?post=93"}],"version-history":[{"count":0,"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/posts\/93\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/media\/538"}],"wp:attachment":[{"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/media?parent=93"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/categories?post=93"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/tags?post=93"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}