{"id":86,"date":"2013-02-17T22:00:00","date_gmt":"2013-02-17T22:00:00","guid":{"rendered":"https:\/\/byzantion.ro\/lumina-crucii-concert-de-florii-in-catedrala-mitropolitana-din-iasi-byzantion\/"},"modified":"2022-06-01T13:11:05","modified_gmt":"2022-06-01T11:11:05","slug":"lumina-crucii-concert-de-florii-in-catedrala-mitropolitana-din-iasi-byzantion","status":"publish","type":"post","link":"https:\/\/byzantion.ro\/lumina-crucii-concert-de-florii-in-catedrala-mitropolitana-din-iasi-byzantion\/","title":{"rendered":"LUMINA CRUCII \u2013 Concert de Florii \u00een Catedrala Mitropolitan\u0103 din Ia\u015fi – BYZANTION"},"content":{"rendered":"

\"byzantion<\/span><\/strong>Cuprins \/ Contents \/ Sommaire<\/span><\/strong><\/span><\/p>\n

    \n
  1. Stihiri dup\u0103 Evanghelia Utreniei din perioada Triodului, plagal glas IV \u0219i II, de Ghelasie Basarabeanu \/ Stichera after the reading of the Triodion Matins gospel, Plagalof 1st<\/sup> and 2nd<\/sup> mode, by Ghelasie Basarabeanu \/ Stich\u00e8res apr\u00e8s l\u2019Evangile des Matines pendant le Triodion, plagal du 1er<\/sup> et 2e<\/sup> mode.<\/span><\/span>
    <\/li>\n
  2. Tropar Iat\u0103 Mirele<\/em>, plagal glas IV trifonic, de Macarie Ieromonahul \/ Troparion Behold the Bridegroom<\/em>, Plagal of 4th<\/sup> mode triphonic, by <\/span>Hieromonk <\/span>Macarie \/ Tropaire Voici l\u2019Epoux qui vient<\/em>, plagal du 4e<\/sup> mode triphonique, par Macarios le Hi\u00e9romoine.<\/span><\/li>\n
  3. Toat\u0103 suflarea<\/span><\/em>, glas III, de Iacov Protopsaltul \/ Let every thing that hath breath<\/em>, 1st<\/sup> mode, by Iakobos Protopsaltes \/ Que tout ce qui respire<\/em>, 3e<\/sup> mode, par Iakobos le Protopsalte.<\/span><\/li>\n
  4. Prezentare \/ Introduction\/ Pr<\/span>\u00e9sentation<\/span><\/li>\n
  5. Catavasiile St\u00e2lp\u0103rilor (fragment), glas IV, aghia din Di, de Dimitrie Suceveanu \/ The Katabasies from the Palm Sunday (fragment), 4th<\/sup> mode agia from Di, by Dimitrie Suceveanu \/ Les Katabasies du Dimanche des Rameaux, 4e<\/sup> mode agia, par Dimitrie Suceveanu<\/span><\/li>\n
  6. Prezentare \/ Introduction\/ Pr<\/span>\u00e9sentation<\/span><\/li>\n
  7. Stihiri alese din S\u0103pt\u0103m\u00e2na Patimilor, de Dimitrie Suceveanu \/ <\/span>SelectedSticherafrom the Passion Week\/ S\u00e9lection des stich\u00e8ra de la Semaine de la Passion.<\/span><\/li>\n
  8. Stihira idiomel\u0103 Acum se \u00eentinge condeiul<\/em>, plagal glas IV, de Chiri\u021b\u0103 Rozescu \/ Idiomelon Sticheron Now the quill is dipped<\/em>, Plagal of 4th<\/sup> mode, by Chiri\u021b\u0103 Rozescu \/ Idiomelon Sticheron Maintenant la plume est tremp\u00e9e<\/em>, plagal du 4e<\/sup> mode, by Chiri\u021b\u0103Rozescu<\/span><\/li>\n
  9. Prezentare \/ Introduction\/ Pr<\/span>\u00e9sentation<\/span><\/li>\n
  10. Slava Ast\u0103zi S-a sp\u00e2nzurat pe lemn<\/em>, plagal glas II, de Anton Pann \/ Doxology Today He hath hanged on a tree<\/em>, Plagal of 2nd<\/sup> mode, by Anton Pann \/ Aujourd\u2019hui Il est pendu au bois<\/em>, plagal du 2e<\/sup> mode, par Anton Pann.<\/span><\/li>\n
  11. Prohodul M\u00e2ntuitorului (fragment), plagal glas I \u0219i glas III, melodie tradi\u021bional\u0103 \/ The Lamentations of the Saviour (fragment), Plagal of 1st<\/sup> mode and 3rd<\/sup> mode, traditional melody\/ Office de la Lamentation du Seigneur (fragment), plagal du 1er<\/sup> mode et 3e <\/sup>mode, m\u00e9lodie traditionnelle.<\/span><\/li>\n
  12. Stihir\u0103 la Laudele \u00cenvierii, glas III, de Victor Ojog \/ Sticheron for the Doxologies of the Ressurection, 3rd<\/sup> mode, by Victor Ojog \/ Sticheron des Laudes de la R\u00e9surrection, 3e <\/sup>mode, par Victor Ojog.<\/span><\/li>\n
  13. Prezentare \/ Introduction\/ Pr<\/span>\u00e9sentation<\/span><\/li>\n
  14. C\u00e2ntarea proorocului Isaia Cu noi este Dumnezeu<\/em>, plagal glas II \u0219i IV, de Anton Pann \u0219i tradi\u021bional \/ Prophet Isaiah\u2019 chant God is with us<\/em>, Plagal of 2nd<\/sup> and 4th<\/sup> modes, by Anton Pann and traditional \/ Chant du Proph\u00e8te Isa\u00efe Dieu est avec nous<\/em>, plagal du 2e<\/sup> et 4e<\/sup> mode, par Anton Pann et traditionnel.<\/span><\/li>\n
  15. Troparul Sf. Cuv. Parascheva, plagal glas IV trifonic \/ Troparion of Saint Paraskeva, Plagal of 4th <\/sup>mode triphonic \/ Tropaire de la Sainte Parasc\u00e8ve, plagal du 4e<\/sup> mode triphonique<\/span><\/li>\n
  16. Polihroniu, plagal glas IV, de Ierom. Serafim \/ Polychronion, Plagal of 4th <\/sup>mode, by Hieromonk Serafim \/ Polychronion, plagaldu 4e <\/sup>mode, par Hi\u00e9romoine Serafim<\/span><\/li>\n<\/ol>\n

    \u00a0CUMP\u0102R\u0102 ONLINE<\/strong><\/span><\/a><\/p>\n

    \u00a0<\/div>\n\n\n
    \nhttps:\/\/youtube.com\/watch?v=mbeuVkvG588\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"

    Cuprins \/ Contents \/ Sommaire Stihiri dup\u0103 Evanghelia Utreniei din perioada Triodului, plagal glas IV \u0219i II, de Ghelasie Basarabeanu \/ Stichera after the reading of the Triodion Matins gospel, Plagalof 1st and 2nd mode, by Ghelasie Basarabeanu \/ Stich\u00e8res apr\u00e8s l\u2019Evangile des Matines pendant le Triodion, plagal du 1er et 2e mode.<\/p>\n","protected":false},"author":3,"featured_media":531,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rank_math_lock_modified_date":false,"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[14],"tags":[],"class_list":["post-86","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-discografie"],"_links":{"self":[{"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/posts\/86"}],"collection":[{"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/comments?post=86"}],"version-history":[{"count":0,"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/posts\/86\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/media\/531"}],"wp:attachment":[{"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/media?parent=86"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/categories?post=86"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/byzantion.ro\/wp-json\/wp\/v2\/tags?post=86"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}